Everything within this article will tell you what you need to do to become a World Class Raver and can rave anywhere in the world. Raves are a place of enjoyment and wonder however they present physical and mental challenges at various levels. From Multi-day festivals, crowds, extreme heat to difficult terrain. Stamina If you are the kind of person who subscribes to the “Go hard or go home” policy, then I commend you highly; however, one thing to note is those who go too hard and become a burden to their friends or the crowd. A world class raver will have the experience to go just as hard but know their limits to be safe and to help those around them. Adaptability The ability to go into any rave in any country and can adapt. I always find it helpful to do a little research on where you are going to party and find out about the scene from other ravers. It is always great to join Facebook groups and chat with people who are attending events with you. This will help you build a network. International Experience Traveling to experience a rave in another country is a must for all ravers looking to claim that “World Class Raver” tag. If you can say you have raved in at least 4-5 countries, then you will have earned that badge of honor. Bringing Leadership Leadership brings an important part of this tag. If you can gather a bunch of people from different backgrounds and blend them into a squad, then you really are a “World Class Raver”. A leader will be expected to give advice on anything from how to be safe, festival specifics, what sets to look out for and looking after those in the group who have partied a little too hard. Respect The ability to walk into a new rave experience and gain respect from your fellow ravers. If you are respectful to the culture and also, take the steps from above then you will quickly gain the respect of your fellow ravers regardless of country. Knowledge and experience The way to build this is through Eat, Sleep, RAVE, Repeat. The more festivals you go to, the more friends you make and the more you develop the knowledge then the more experience you get. It is then up to you to guide the future generations as a “World Class Raver” so just keep on raving 😀
This year has to be the worse year for voting, Trump gets into power, Brexit happens and Garrix becomes the number 1 DJ. Is he really the number 1 DJ though? Analysis The “Number 1 DJ” would mean that we are only observing the ability to be a Disc Jockey which is mixing, crowd enjoyment of music and technique. A quick look at the stats would indicate that 36% voted for Music Style, 28% for DJ Skill and 24% Production Ability. There was another 6% for showmanship and the last 3% for popularity. This means only 28% of people voted for what the award is literally for. The top 3 of the poll is Martin Garrix who is hugely popular in America; as is Hardwell and Dimitri Vegas & Like Mike. There will be a few followers in Europe who will cement a DJs place in the top 10. The music that they produce will also play a major part in helping build their reputation. The reason why Garrix is number 1 is the most votes in the competition came from the USA, his tracks are more mainstream, and he is moving the “Garrix” brand to more pop music feel reach many more listeners in the mainstream charts. A drunken Hardwell has already admitted on stage at a gig that the Poll is rubbish. He then said Atmosfearz was a much better producer than him and wouldn’t sell himself out to win Polls. Dimitri Vegas and Like Mike must have been one of the worse DJ’s I have ever seen live; they seriously need to shut up and just play the music much like a few other DJs. Let’s move swiftly on to the next big surprise of the poll, Daft Punk who are amazingly at number 72. In case people didn’t know, this poll was the year 2016. Daft Punk have not released any music since 2013 and only recently were featured in Weeknd’s album. They have also not appeared live since a TV Appearance for the Grammies in 2013 and before that, it was 6 years back during the 2007 tour. It is true they do DJ in underground clubs in France but not as Daft Punk; they do this on a low-key appearance where you probably wouldn’t know it was one of them. Voting for Daft Punk was like voting for Harambe as a write in. My last nail in the coffin of this joke of an award is the worthy candidates outside the top 10. Above and Beyond at number 47 who are arguably one of the most respected acts in dance music. They produce music, tour live, bring through and promote talented DJs/Producers. If you were an unknown producer, then get a slot on Above and Beyond Group Therapy and you will be an instant hit. Eric Prydz is my number 1 DJ of 2016. I am not a major fan of his music however what I respect about him is the quiet way he goes about his sets, his mixing is great, and the experience was unreal. Every set he has played has blown people away in 2016. The positions of some DJs are jokes such as Paul van Dyk, AngerFist, Nicky Romero, Jack U, Carl Cox and then we have some of our DJ’s that are not even there such as Kutski, Gareth Emery, Fat Boy Slim, Duke Dumont and Bryan Kearney…. SMH. The poll isn’t an accurate reflection of who the number 1 DJ is. The poll will never be able to define just who truly is the number 1 DJ. Trying to argue who the number 1 DJ is impossible. Do you go off fan base? Record sales? The number of gigs? Fees paid? The best theory to apply to the pole is “Opinions are liked assholes, everyone has one.” In the end, there isn’t a number 1 DJ of the world; the poll is just a publicity stunt designed to get people talking and give DJ Mag a bit of boost in viewing numbers.
As you sit there and read this article, I admire that you are curious about festivals across the Atlantic Ocean. It is a sad fact that many Americans don’t leave their country nor do Europeans travel far beyond the festivals in Europe. The chance to learn about an entirely new rave culture is something that transforms you from being just your “average” raver into a “World Class” raver who can brag about their experience abroad. Music and Production In the US, the production of an event takes priority. Electric Daisy Carnival (EDC) in Las Vegas is regarded as one of the top Music Festivals in the US. What makes EDC unique is the thought of the souvenir ticket box coming in the mail, the huge, elaborate stages, the entertainers, and the fireworks display which put most Independence Day fireworks to shame. The music will come somewhere into that mixture, arguably in a secondary nature. The artist line-up for EDC is good. However, it doesn’t quite compare to that of European festivals. But, the US is beginning to catch up. In Europe, Creamfields in England schedules the music as a priority. A glance over previous years of line-ups will reveal a who’s who of the Dance Music industry. If you were at Creamfields 2016, for the Final sets on Sunday, you had to choose between Eric Prydz, Calvin Harris, Steve Aoki, Fatboy Slim, Aly & Fila and Tiesto. Creamfields is a well-established brand with a contact book that can lure almost any major DJ to the festival. Additionally, since most DJ’s are European-based, then it makes it easier for them to book on their timetable. Having said that, Europe is catching up on the production levels as Creamfields has introduced new stages such as the Steelyard. Tomorrowland is a good example of a cross between the productions of EDC with nearly the same lineup power of Creamfields. The competition is good for all festivals as it is helping to evolve the scene and enhance the rave experience. The Ravers The culture is very different except with one key value… “Everyone is accepted.” American ravers wear some eccentric clothing. A girl wearing pasties with a thong, wearing a tank top with a unicorn vomiting rainbows and a guy in tight white shorts with rainbow fluffies are all familiar parts of the crowd in EDC. Then there is Kandi. As a European going to an American rave, I had to learn about Kandi and frustratingly had to produce it. The very important notion of PLUR (Peace, Love, Unity, and Respect) is an inspirational code to have at a rave, although Europeans may see this as a standard with no need to mention it. In Europe, there are fewer outfits and most are conservative compared to the US. The crowd is friendly, and Americans are welcomed as we like to see different cultures embrace the European way. There is no Kandi, and PLUR is unheard of outside of US although girls tend to think it’s cute when you give them a bracelet. Europe has a great music vibe accompanied by many European cultures from Scottish, Irish, English, Dutch and German all mixed together who accept the people from around the world to join our party. The majority of individuals go for solely the musical experience however it is more understated than the major American festivals. Conclusion This experienced ravers advice is to look beyond the festivals in your country. If you love music and you can afford to do it, then travel abroad and look for other festivals. If you don’t have your friends, don’t worry. In both cultures, everyone is welcome. You could be the European who watched those magical EDC fireworks with your new PLUR friends; you could also be the American who went to Creamfields and partied with Scottish people to Above and Beyond. You just need to explore….